Philip Johnson has always been on the forefront of stylistic change, and his property in New Canaan, Connecticut, is a kind of laboratory where Johnson is his own best client. It was there that he built the famous “Glass House” he still resides in. This building has no walls (the landscape became “expensive wallpaper”); an accompanying guest house, by contrast, has no windows, though it is light and sensuous inside. We visit these, as well as the gallery which houses Johnson’s extensive collection of contemporary art on its revolving walls. 　　“My latest folly”, says Johnson, “is to build buildings without straight lines…It’s the first time I’ve had a building I can’t draw and have to design partially as it goes up.” This new structure is at the core of the video, and we get to see the sculptural building from its initial stages to completion. The video depicts Johnson at work and the importance of the architectural act, the actual construction, and how the buildings interact with their environment, in this case the autumn leaves or snow of New Canaan.

Showing how the characteristics of animals can teach about values, ourselves, and how we should treat others.

When a project to build a thousand flats in Oslo is put out to tender, architect Julie has an idea: why not convert empty underground car parks into residential buildings? A pitch-black, keenly observed satire about an all-too-near future.

19世纪的欧洲，一名艺术窃贼躲避着一心想要抓住他的调查员。

An art thief in 19th century Europe eludes an investigator out to get him.

A world-famous astronaut returns home from his latest mission, bringing home a small asteroid that hit his space station. When strange things start to happen, his nine-year-old daughter is convinced that aliens have moved in next door and em- barks on a mission to save the world from an inter-galactic invasion!

人の考えを知ることは簡単ではない。けれども、それは人生にも仕事にも大切なこと。考えることが好きで、目に入るさまざまなことに思いを巡らせてきた主人公（井桁弘恵・総合デベロッパー社員）が、とある街づくりプロジェクトを通じて、同僚、街の人、友人たちと向き合いながら考える。

When a workaholic young executive, is left at the altar, she ends up on her Caribbean honeymoon cruise with the last person she ever expected: her estranged and equally workaholic father. The two depart as strangers, but over the course of a few hilarious adventures, a couple of umbrella-clad cocktails and a whole lot of soul-searching, they return with a renewed appreciation for family and life.

After the death of their mother, three sisters try to figure out how to move forward with their lives.

Tanya, Ed, and their kids, 16-year-old Danika and 12-year-old Bobby, are a middle-class African-American family who open their door for an old friend who needs parenting help. Juggling the demands of single parenthood, Maddie believes her 16-year-old son, Keith, could benefit from living in a traditional family structure, and especially from a strong male influence. They discover that their differences are definitely more than skin deep.